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King of Bokeh

Kajetan Konieczny

Photographer from Poland

Over the past month I have had the opportunity
to test the Samyang XP 85mm F1.2 lens from the Premium series.

XP 85mm F1.2 is one of 5 lenses of the series in which Samyang focuses on the highest optical quality, apart from the 85 focal length,
10mm F3.5, 14mm F2.4, 35mm F1.2, 50mm F1.2 and this 85mm F1.2.
As I am a fan of low apertures I was very happy that I could test it with my Canon EOS EOS R. This line is designed to handle 50 mpx and 8k filming.
This month I wanted to check it in all circumstances. Although hearing the 85 focal length combined with a value of one 1.2 the conclusion is clear – portraits.

zoom
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/1000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

This premium lens is built like a tank.

Let’s start by making the lens consists of 10 Elements in 7 Groups and has 9 diaphragm blades weighing 1,050g and filter size 86 and the aperture can be closed down to f16. The lens is built like a tank, decent production is a showcase of the Premium lines of these manual lenses, the ring has a very wide range so it is possible to focus precisely on 1.2 it comes with nice resistance, thanks to which the focus does not escape and the ring shows a red strip which is characteristic of the Samyang lenses. It is heavy like any of the lenses in this series, however quality comes with weight.

zoom

The lenshood and lens are designed so that they can be used together all the time,

thanks to which you can limit solar flares and thanks to this combination the lens looks simply amazing, I tested many lenses in my life but this one looks the most interesting, it’s a small accent that is not the most important but it’s nice that it is.

I was knocked down by the XP 85mm.

Let’s get through to the most interesting thing, i.e. sharpness at low apertures and I have to say immediately that I was knocked down by the XP, I haven’t had the opportunity to test the lens which was so sharp when fully open. The lens designed for portraits with such great results is a gold. On stopping down to 2.8 it gets even sharper from edge to edge. Comparing it to the system glass with a slightly higher aperture it falls out more than good.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/4000 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom

King of Bokeh

Thinking about 1.2, he sees a beautifully blurred background, how is it? XP 85mm F1.2, according to me, blurs insanely, adding to the front blur the photos look like a fairy tale thanks to the 9 aperture in combination with such a large relative aperture. It’s hard to want more from a portrait lens but of course sometimes it’s hard to hit on 1.2 you have to come to terms with so wide aparture.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/1000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/4000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.4
SPEED 1/4000 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Premium performance
for premium design

In such constructions it is different with chromatic aberration at low apertures, however, it occurs in very small amounts, especially when it compares it with the competition in which we have more at higher apertures. Coma also hardly ever occurs. However, I expected such performance from the premium design.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/5000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/3200 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/4000 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.4
SPEED 1/4000 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/500 sec
ISO 400
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

Amazing color rendering

The lens, however, like everyone is not without flaws, such as the lack of autofocus or weight, and how to think about taking it, e.g. for a wedding, it could be hard, but when I think that I could make at least one portrait with this lens, then I know that I can wear it all day all day. Thee color contrast is amazing, and some photos don’t need editing to look just great.

zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/8000 sec
ISO 100
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -
zoom
LENSES XP 85mm F 1.2
CAMERA Canon EOS
DIAPHRAGM F1.2
SPEED 1/640 sec
ISO 200
EXPOSURE Manual
PHOTOMETRY -
BRIGHTNESS -
PHOTOMETRY -

For every portraits photographers

You can say that this is specialized equipment not for everything, if you have time to use it you will be delighted with the effects, great workmanship has made it become my favorite lens, although not the most used. However, as always in photography, the effect counts. I recommend it to everyone who takes portraits and food/production photos because in these areas he is irreplaceable and just insane lens with amazing bookeh.

I am very happy that Samyang creates its line of Premium Lenses that are designed for specific thing, that you can expect amazing effects. That’s how good company works on it’s name.

Kajetan Konieczny

As a photographer with over 5 years of experience, I mainly deal with wedding photography. I try to capture every important moment for the bride and groom from the most important moments to the smallest details, so that after many years they can experience these moments again.

rvphotography.pl

森养最佳标准画角提案解析

从人与人之间的关系乃至为了营造美丽的空间而布置装饰品时都需要保持适当的距离。那么,为了更好地欣赏美术或摄影作品,我们应该保持多少距离?

答案是相当于“作品框架对角线的长度”的距离。

표준화각 자료 이미지
표준화각 자료 이미지

为了将作品完整地纳入视野并予欣赏,保持相当于作品对角线的距离为宜。如果距离过近,将大于人眼可集中精力的50°视角而无法取的良好的欣赏效果。

为了最佳欣赏效果与最佳视角而保持理想距离也适用于摄影技术。在拍摄静止画像的摄影技术中,将等于摄像面对角线长度的焦距镜头定义为标准镜头。数码相机的全帧传感器尺寸为36x24毫米,其对角线距离约为43.26毫米,标准镜头应为多少毫米以下的最理想答案可以称为“接近43.26毫米的数据”,而难以断定是至今被视作标准镜头代名词的“50毫米”。

以往与胶片对角线长度相仿的45mm画角镜头较为常见,随着SLR相机大获成功,为了保留可容纳反射镜的空间,50mm被视作标准镜头。但是,最近随着无反相机底边大幅放大, 鉴于无反相机法兰距短的特点,需要将标准镜头的画角以45mm再度予以解释,由此开始研发AF 45mm F1.8 FE。 与35mm画角镜头相比,三阳的AF 45mm F1.8 FE将畸变现象降至最低,且比55mm画角拍摄范围宽,为人物、风景、建筑物及宠物等各种主题摄影呈献令人满意的效果。

DSLR / Full Frame
1D X Mark Ⅱ
1D X
1Ds Mark Ⅲ
1Ds
5DsR
5Ds
5D Mark Ⅳ
5D Mark Ⅲ
6D Mark Ⅱ
6D
DSLR / APS-H
1D Mark Ⅲ
1D
Mirrorless / APS-C
M6
M5
M10
M3
M2
DSLR / APS-S
7D Mark Ⅱ
7D
80D
70D
60D
30D
D60
D30
77D (9000D)
760D (8000D / Rebel T6s)
1300D (Kiss X80 / Rebel T6)
1200D (Kiss X70 / Rebel T5)
200D (Kiss X9 / Rebel SL2)
800D (Kiss X9i / Rebel T7i)
700D (Kiss X9i / Rebel T7i)
100D (Kiss X7 / Rebel SL1)
650D (Kiss X6i / Rebel T4i)
600D (Kiss X5 / Rebel T3i)
550D (Kiss X4 / Rebel T2i)
500D (Kiss X3 / Rebel T1i)
1000D (Kiss F / Rebel XS)
450D (Kiss X2 / Rebel X냐)
DSLR / Full Frame
D850
D5
D810A
D4S
D810
D750
Df
D610
D4
D800
D800E
D600
D3s
D3x
D700
D3
DSLR / APS-C
D7500
D3400
D500
D5600
D7200
D5500
D3300
D7100
D5300
D5200
D7000
D300s
D300
DSLR / Full Frame
Z6
Z7
D810A
D4S
D750
D810A
DSLR / APS-C
D7200
D500
D3300
D5500
D5600
D3400
D7500

* Cameras released within 5 years from 2019 are tested.

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